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	<title>Magdalena Siwicka Photography</title>
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	<description>Magdalena Siwicka Photography</description>
	<pubDate>Sat, 18 Jul 2026 08:52:16 +0000</pubDate>
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		<pubDate>Sat, 18 Jul 2026 08:47:17 +0000</pubDate>

		<dc:creator>Magdalena Siwicka Photography</dc:creator>
		
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	<item>
		<title>Don’t ask about Poland: Mysterious Deviation</title>
				
		<link>http://www.magdalenasiwicka.com/Don-t-ask-about-Poland-Mysterious-Deviation</link>

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		<pubDate>Sat, 01 Nov 2025 09:43:05 +0000</pubDate>

		<dc:creator>Magdalena Siwicka Photography</dc:creator>
		
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		<description>Magdalena Siwicka
	










Don’t ask about Poland: Mysterious Deviation












	











“Don’t ask about Poland: Mysterious Deviation” is an ongoing photographic project exploring memory, nostalgia and the shifting relationship between personal history and place.


I was born in Poland and in the early 2000s I emigrated to the United Kingdom. Today my connection to the country is complex: I return regularly, yet I feel increasingly distant from the reality of contemporary Poland.


Each time I visit my hometown, I photograph my friends, their families, and still lives which surround them. I move freely between portraits and objects which coexist within the project and are forming visual connections between people and their environments.


These photographs are pockets of memory, fragments of my childhood and adolescence, existing somewhere between past and present. Because of the distance created by emigration I am here leaving objective reality behind, and I am entering the uncertain territory of subjective memory of the country I once knew, through colour and light. The people in the photographs merge with their surroundings, reflecting a sense of belonging to place while also revealing the distance created by time.


Note on the title


The title brings together two literary references about Poland. Don’t ask about Poland quotes a song by Grzegorz Ciechowski, “Nie pytaj o Polskę” (“Don’t ask about Poland”), expressing the difficulty of speaking about the country. The subtitle refers to Witold Gombrowicz’s idea of “tajemnicze odchylenie” (“mysterious deviation”) from his Diary 1953–1956, a way of thinking about identity from a position of distance.




&#38;nbsp;Tricity (Gdynia, Gdańsk, Sopot) - ongoing


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</description>
		
		<excerpt>Magdalena Siwicka 	           Don’t ask about Poland: Mysterious Deviation             	            “Don’t ask about Poland: Mysterious Deviation” is an...</excerpt>

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	<item>
		<title>We met outside camp borders</title>
				
		<link>http://www.magdalenasiwicka.com/We-met-outside-camp-borders-1</link>

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		<pubDate>Tue, 01 Oct 2024 14:07:18 +0000</pubDate>

		<dc:creator>Magdalena Siwicka Photography</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">454403</guid>

		<description>Magdalena Siwicka










We met outside camp borders














“Can I take your photo?” I asked.

He answered : “Why?”

“Your photograph will not represent who I am. This is not how I want to live, this is a temporary situation”. He took his phone out and showed me photos from back home, with his family.

“This is who I am, this is me”.


So instead, we went for a walk and a coffee. After time spent together and talking about my photography work, he let me take his portrait but only if I promised that the photographs would not show his face.


This is a story where Calais the town meets Calais the camp. While the self-built camp existed, they co-existed and blended in one another – while being wholly separated.


Living under the constant presence of cameras pointing at them, people living in the camp put on a sign saying “No photos, no tourists”.


Calais, France 2015


Ongoing






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</description>
		
		<excerpt>Magdalena Siwicka           We met outside camp borders               “Can I take your photo?” I asked.  He answered : “Why?”  “Your photograph will not...</excerpt>

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	<item>
		<title>We met outside camp borders</title>
				
		<link>http://www.magdalenasiwicka.com/We-met-outside-camp-borders</link>

		<comments></comments>

		<pubDate>Sun, 15 Sep 2024 11:37:24 +0000</pubDate>

		<dc:creator>Magdalena Siwicka Photography</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">454276</guid>

		<description>Magdalena Siwicka
	










We met outside camp borders







	










“Can I take your photo?” I asked.

He answered : “Why?”

“Your photograph will not represent who I am. This is not how I want to live, this is a temporary situation”. He took his phone out and showed me photos from back home, with his family.

“This is who I am, this is me”.


So instead, we went for a walk and a coffee. After time spent together and talking about my photography work, he let me take his portrait but only if I promised that the photographs would not show his face.


This is a story where Calais the town meets Calais the camp. While the self-built camp existed, they co-existed and blended in one another – while being wholly separated.


Living under the constant presence of cameras pointing at them, people living in the camp put on a sign saying
 “No photos, no tourists”.


Calais, France 2015


Ongoing






	

	&#60;img width="765" height="510" width_o="765" height_o="510" src_o="https://cortex.persona.co/t/original/i/93329aa7875c5075ef6929d298f595f9cd0b95470ba963a0e77b8ea011f4d73a/Untitled6_R.jpg" data-mid="1379595" border="0" /&#62;

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</description>
		
		<excerpt>Magdalena Siwicka 	           We met outside camp borders        	           “Can I take your photo?” I asked.  He answered : “Why?”  “Your photograph...</excerpt>

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	<item>
		<title>51.547062, -0.057044 (home)</title>
				
		<link>http://www.magdalenasiwicka.com/51-547062-0-057044-home</link>

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		<pubDate>Fri, 24 Nov 2023 13:06:48 +0000</pubDate>

		<dc:creator>Magdalena Siwicka Photography</dc:creator>
		
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		<guid isPermaLink="false">450024</guid>

		<description>Magdalena Siwicka
	51.547062, -0.057044 (home)

	
		
		
	
	
		
			
				
					
The Covid-19 pandemic–induced lockdown
has forced many of us to retreat from
outdoors, stay away from loved ones, cancel
travels, sit down and revisit our memories –
and sometimes, rethink our lives.

					As an immigrant with family and friends
scattered around the world, this uncertain
climate and the sudden closing of borders
made feelings of distance and nostalgia
greater than they already were.

					I interrogated my body of work and scanned
through the many places and people I have visited and photographed so far. By
transporting myself in there, through my
process of image making, I might have
found a novel way to travel, with my hands
and memories.

				
			
		
	

Published in Period. Zine “Lost” Issue

	

				
			
		
	
“Whenever I set off on any sort of journey I
fall off the radar. No one knows where I am.
At the point I departed from? Or at the point
I’m headed to? Can there be an in-between?
Am I like that lost day when you fly east, and
that regained night that comes from going
west? Am I subject to that much-lauded law
of quantum physics that states that a particle
may exist in two places at once? Or to a
different law that hasn’t been demonstrated
and that we haven’t even thought of yet that
says that you can doubly not exist in the
same place?

					I think there are a lot of people like me.Who aren’t around, who’ve disappeared.
They show up all of a sudden in the arrivals
terminal and start to exist when the
immigrations officers stamp their passport,
or when the polite receptionist at whatever
hotel hands over their key. By now they must
have become aware of their own instability
and dependence upon places, times of day,
on language or on a city and its atmosphere.
Fluidity, mobility, illusoriness—these are
precisely the qualities that make us civilized.”
Olga Tokarczuk - “Flights”


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</description>
		
		<excerpt>Magdalena Siwicka 	51.547062, -0.057044 (home)  	 		 		 	 	 		 			 				 					 The Covid-19 pandemic–induced lockdown has forced many of us to retreat from...</excerpt>

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	<item>
		<title>White Nights</title>
				
		<link>http://www.magdalenasiwicka.com/White-Nights</link>

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		<pubDate>Tue, 27 Mar 2018 21:42:00 +0000</pubDate>

		<dc:creator>Magdalena Siwicka Photography</dc:creator>
		
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		<guid isPermaLink="false">261687</guid>

		<description>
	Magdalena Siwicka
	White Nights


	










Story I created together with Luella Bartley.
 Featuring Kip Sims, Maria Loks and Ed Curtis.


Commissioned by Double Magazine.






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Back</description>
		
		<excerpt>Magdalena Siwicka 	White Nights   	           Story I created together with Luella Bartley.  Featuring Kip Sims, Maria Loks and Ed Curtis.   Commissioned by...</excerpt>

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	<item>
		<title>Home</title>
				
		<link>http://www.magdalenasiwicka.com/Home</link>

		<comments></comments>

		<pubDate>Mon, 01 May 2017 10:03:04 +0000</pubDate>

		<dc:creator>Magdalena Siwicka Photography</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">170100</guid>

		<description>Magdalena Siwicka
	The Girl With The Mousy HairWhite Nights
Don’t Ask About Poland: Mysterious DeviationModern IntimacyWe met outside camp bordersPortraitsDiaryAbout


	


	




&#60;img width="765" height="510" width_o="765" height_o="510" src_o="https://cortex.persona.co/t/original/i/e45d5006b9997978e23d2290f9dd8216aecf6c3a8b9d0f67fbe856b70699183a/siwicka_3_home.jpg" data-mid="212104" border="0" data-scale="100"/&#62;


</description>
		
		<excerpt>Magdalena Siwicka 	The Girl With The Mousy HairWhite Nights Don’t Ask About Poland: Mysterious DeviationModern IntimacyWe met outside camp...</excerpt>

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	</item>
		
		
	<item>
		<title>Gasoline Pictures</title>
				
		<link>http://www.magdalenasiwicka.com/Gasoline-Pictures</link>

		<comments></comments>

		<pubDate>Sun, 30 Apr 2017 09:24:08 +0000</pubDate>

		<dc:creator>Magdalena Siwicka Photography</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">169862</guid>

		<description>Magdalena SiwickaGasoline Pictures










Gasoline Pictures (2014-2021) was a non-profit publishing, representation and collaborative platform for photographers and visual artists founded by a photographer Sam Rock and including artists such as Bex Day and Rosie Marks. 

I have been involved in a wide array of collaborative projects, commissions and exhibitions, in the UK and abroad.







Gasoline Issue 2
Zuzanna And Zuzanna&#38;nbsp;
Selected Photographs
&#60;img width="765" height="510" width_o="765" height_o="510" src_o="https://cortex.persona.co/t/original/i/19f14d8628146d15f2f14cb4489e553ada006d33e5a0caf4b1f862058443f299/ISSUE_1_0108_R.jpg" data-mid="211689" border="0" /&#62;

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&#60;img width="765" height="510" width_o="765" height_o="510" src_o="https://cortex.persona.co/t/original/i/9a85105e686e9718719ce1774862357171c1361617b3c2c96536308b0a100d31/magdalena_siwicka_014_z.jpg" data-mid="211707" border="0" /&#62;

&#60;img width="765" height="510" width_o="765" height_o="510" src_o="https://cortex.persona.co/t/original/i/0524406a190cf4d9135c41e17d6f1e2abcaa429468c00b35dc14153976c2426e/magdalena_siwicka_017_z.jpg" data-mid="211711" border="0" /&#62;

&#60;img width="765" height="510" width_o="765" height_o="510" src_o="https://cortex.persona.co/t/original/i/f1d4559c2941369dc2b4bd95203d13d6a61804a832b979a2748a2b671c10e676/magdalena_siwicka_003_z.jpg" data-mid="211713" border="0" /&#62;
Gasoline Issue 3Squatters&#38;nbsp;Selected Photographs
&#60;img width="765" height="510" width_o="765" height_o="510" src_o="https://cortex.persona.co/t/original/i/a2c3867d546973290b26866ef1e4d50a6e47caccf446ad0f172f51543c721205/GASOLINE_ISSUE_3_097_new.jpg" data-mid="1379516" border="0" /&#62;
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&#60;img width="765" height="510" width_o="765" height_o="510" src_o="https://cortex.persona.co/t/original/i/711de9424cf29f569e596db07adf8322fa8ae6958c17a8633bf60cce7fe74bf0/SQUATERS_SIWICKA_dan_from_the_squatters.jpg" data-mid="1379514" border="0" /&#62;
Gasoline Issue 4Brothers&#38;nbsp;Selected Photographs
&#60;img width="765" height="510" width_o="765" height_o="510" src_o="https://cortex.persona.co/t/original/i/dbeb6782582012027716d3824e3f97c58453c8e699e8875d73f2dd92d429a249/GASOLINE_ISSUE-4_ZINE_0007.jpg" data-mid="211694" border="0" /&#62;
&#60;img width="765" height="510" width_o="765" height_o="510" src_o="https://cortex.persona.co/t/original/i/e4750eeab443eaa0595cb8e5ee1c275511708da2a1c983464efa15200c72f04c/magdalena_siwicka_B_001.jpg" data-mid="211735" border="0" /&#62;
&#60;img width="765" height="507" width_o="765" height_o="507" src_o="https://cortex.persona.co/t/original/i/3716157da482b6cee87909aa5dfcf9322bd495157ac23a0cc1d50a324f120c81/magdalena_siwicka_B_002.jpg" data-mid="211699" border="0" /&#62;

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Darts
Selected photographs
From collaborative project focusing on England’s Dart’s Championships

Bobby George


&#60;img width="765" height="510" width_o="765" height_o="510" src_o="https://cortex.persona.co/t/original/i/58c8ab4e78e69feec53eb7d2084ca1af626058de1e3bc7511ed3078aa5b7f34a/Screen-Shot-2017-04-30-at-11.43.49_1.jpg" data-mid="211737" border="0" /&#62;

Deta Hedman ‘Dark Destroyer’
&#60;img width="765" height="510" width_o="765" height_o="510" src_o="https://cortex.persona.co/t/original/i/b6e2497fc90dfe401598d3e22197e8578643acc425df26cf901e9bc6564adaa2/Screen-Shot-2017-04-30-at-11.44.02_1.jpg" data-mid="211736" border="0" /&#62;

&#60;img width="765" height="510" width_o="765" height_o="510" src_o="https://cortex.persona.co/t/original/i/a05e00e3eefabd1fadb513e6940ce0374cf3fa47ef0e53aab68b7f3106791b3e/1_magda_magda_DARTS_LALESIDE_0988_1.jpg" data-mid="211718" border="0" /&#62;
Le Kilt AW 17 presentation&#38;nbsp;
Commissioned by Another Magazinehttps://www.anothermag.com/fashion-beauty/9558/radical-integrity-and-1960s-subcultures-at-le-kilt


&#60;img width="765" height="510" width_o="765" height_o="510" src_o="https://cortex.persona.co/t/original/i/546ceea2c7e2fb0c74a11de1724653e2ac2bdaea5a59866d3c36b0922111e602/LE_KILT_0217__0085_C.jpg" data-mid="211719" border="0" /&#62;

Back
</description>
		
		<excerpt>Magdalena SiwickaGasoline Pictures           Gasoline Pictures (2014-2021) was a non-profit publishing, representation and collaborative platform for photographers...</excerpt>

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	</item>
		
		
	<item>
		<title>Portraits </title>
				
		<link>http://www.magdalenasiwicka.com/Portraits</link>

		<comments></comments>

		<pubDate>Thu, 27 Apr 2017 13:58:59 +0000</pubDate>

		<dc:creator>Magdalena Siwicka Photography</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">169074</guid>

		<description>Magdalena SiwickaPortraits
















SBK, Ten Dixon, and Cassie Rytz from the Behind the Script series,
 a project about the UK grime scene.















&#60;img width="496" height="613" width_o="496" height_o="613" src_o="https://cortex.persona.co/t/original/i/93bb4be6c2d412573c52528c7bc1b2d830ef7bba9f4faa81d577da563088d869/SBK_F_1.jpg" data-mid="1379285" border="0" /&#62;

&#60;img width="496" height="613" width_o="496" height_o="613" src_o="https://cortex.persona.co/t/original/i/ae9b7d8f6ae3445b23dc8c4c9450f3c49b42a73d11e04ea658548662e2c1c6f2/Ten-Dixon-and-Remi_F.jpg" data-mid="1379289" border="0" /&#62;

&#60;img width="496" height="614" width_o="496" height_o="614" src_o="https://cortex.persona.co/t/original/i/e29b43631232799485b6fbf7a8493966cf3fa8357fa61eaaf5537dbb77a4eb53/Cassie-Rytz_F.jpg" data-mid="1379288" border="0" /&#62;
“Awakening” (WAKE UP!) series. Selected photographs.

The photographs have been taken in houses of friends 
within seconds after their waking up.




&#60;img width="496" height="608" width_o="496" height_o="608" src_o="https://cortex.persona.co/t/original/i/cef8eb9a32557c9a12834e31f26404b0931e7a74561fee1af2850f40c473ab02/AWAKENING_FULL_1_DEVIN_R_C.jpg" data-mid="1379494" border="0" /&#62;
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&#60;img width="496" height="608" width_o="496" height_o="608" src_o="https://cortex.persona.co/t/original/i/c96d98e3a03b0efae4751541400b0896782bb6a3c3ba76e9ba6211905cdb0788/AWAKENING_FULL_1_KATIE_R_C.jpg" data-mid="1379493" border="0" /&#62;

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&#60;img width="496" height="608" width_o="496" height_o="608" src_o="https://cortex.persona.co/t/original/i/c350765675d96a5d485ba761a7c15042330ff858f6c468a7626acb16755bb957/AWAKENING_FULL_1.DAVID_2_R_C.jpg" data-mid="1379497" border="0" /&#62;
&#60;img width="496" height="608" width_o="496" height_o="608" src_o="https://cortex.persona.co/t/original/i/f758baff0ed48808ef1ea69bfc4013271474ddf05fc111f932fb4ae032dea352/FULL_1_ZUZANNAANDVOODU_3_R_C.jpg" data-mid="1379495" border="0" /&#62;
Zuzanna Leokadia
&#60;img width="496" height="610" width_o="496" height_o="610" src_o="https://cortex.persona.co/t/original/i/bd16b2e0b3b62a1a01f1fee494049d607751aa16df9b302b9ee3d722949ea9d8/siwicka_ZUZANNA_LEOKADIA_F_2.jpg" data-mid="1379283" border="0" /&#62;
&#60;img width="765" height="510" width_o="765" height_o="510" src_o="https://cortex.persona.co/t/original/i/476549e4ef866389157bc795217cedadae597b04530d9a7345ef55fb36e8d247/zuzia2013087_R_C.jpg" data-mid="1442443" border="0" /&#62;
&#60;img width="765" height="512" width_o="765" height_o="512" src_o="https://cortex.persona.co/t/original/i/c37620c666755e52f7833ee4d7d23f018d088835cc86c936b0d0014f824e9821/CNV00120_S.jpg" data-mid="1423035" border="0" /&#62;
&#60;img width="765" height="509" width_o="765" height_o="509" src_o="https://cortex.persona.co/t/original/i/f610d5a1a561c2dc204b714238bd2da97cd05133bb9e9f7a98037db2fbe8e8c4/img_243_C_1.jpg" data-mid="1423034" border="0" /&#62;

&#60;img width="765" height="509" width_o="765" height_o="509" src_o="https://cortex.persona.co/t/original/i/296cf0581667e3fc0c7d38a82d52d9665f9287ebcf220895e8912638cf135b8d/img_248_C.jpg" data-mid="1423036" border="0" /&#62;

Portrait of M. Lissoni,&#38;nbsp; Triptych, 2025, London.


&#60;img width="496" height="744" width_o="496" height_o="744" src_o="https://cortex.persona.co/t/original/i/c351f5ebf045daeb2f128f7987a483243d8147cc339057f4a978a68bd1d441bc/M-Lissoni__0058_R1_A_B-C-F.jpg" data-mid="1442392" border="0" /&#62;

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&#60;img width="496" height="744" width_o="496" height_o="744" src_o="https://cortex.persona.co/t/original/i/fbce134fb7e60c02f1f731b530b4266f256346dd069b009cb521a57862dfeb14/M-Lissoni__0106_R1-A-B-C_F.jpg" data-mid="1442393" border="0" /&#62;


Ash Sarkar and Rivkah Brown
Novara Media

&#60;img width="496" height="620" width_o="496" height_o="620" src_o="https://cortex.persona.co/t/original/i/af81bf1c9a4d52f86c8c2f7b9b17409c7e26056b9730f8da8b7f9c22e1a691e7/Ash-Sarkar-Photo_Magdalena-Siwicka.jpg" data-mid="1415098" border="0" /&#62;
&#60;img width="496" height="620" width_o="496" height_o="620" src_o="https://cortex.persona.co/t/original/i/30acf6855d0ff6a155acd629abb517c18c393378e97a5dfde2f7abface00689c/Rivhah-Brown_Magdalena-Siwicka.jpg" data-mid="1415100" border="0" /&#62;

Bex Day&#60;img width="496" height="620" width_o="496" height_o="620" src_o="https://cortex.persona.co/t/original/i/9fd0727071c71b3661c46585b234945595279c10c9afba7fb905e103a9ab0866/Bex-Day_Magdalena-Siwicka-Photo.jpg" data-mid="1423026" border="0" /&#62;
Zack Polanski

&#60;img width="496" height="744" width_o="496" height_o="744" src_o="https://cortex.persona.co/t/original/i/201ebef4c7133fb5b603d8b87b72569e474ef600f31c9545c73f934fa0471080/Zack-Polanski_Photo-Magdalena-Siwicka-3.jpg" data-mid="1423027" border="0" /&#62;
Bert Gilbert

&#60;img width="496" height="619" width_o="496" height_o="619" src_o="https://cortex.persona.co/t/original/i/f76c59819c431bce7fb2e4e3972f7feace1651d36f825067631cee4bc2554d3b/Bert-Gilbert_Magdalena-Siwicka-Photo_-The-Golden-Shadow.jpg" data-mid="1423025" border="0" /&#62;
&#60;img width="496" height="620" width_o="496" height_o="620" src_o="https://cortex.persona.co/t/original/i/4dd698e3f8c2a6f7a93ce5a68a10b05b60d36a1ceeb308ab83b41bad17357c24/Bert-Gilbert.jpg" data-mid="1423024" border="0" /&#62;

&#60;img width="496" height="620" width_o="496" height_o="620" src_o="https://cortex.persona.co/t/original/i/c296d83d9b728f1c9be6b0181835ce4faa1a1d559f8d4051e3e80ae5cfe2a21d/Untitled-2_R_TW_C_Final_F.jpg" data-mid="1379287" border="0" /&#62;


Back</description>
		
		<excerpt>Magdalena SiwickaPortraits                 SBK, Ten Dixon, and Cassie Rytz from the Behind the Script series,  a project about the UK grime scene.                  ...</excerpt>

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